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Thinking Through Cinema: Film as Philosophy


Thinking Through Cinema: Film as Philosophy

Paperback by Smith, Murray; Wartenberg, Thomas E. (Mount Holyoke College)

Thinking Through Cinema: Film as Philosophy

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£36.51

ISBN:
9781405154116
Publication Date:
19 Jun 2006
Language:
English
Publisher:
John Wiley and Sons Ltd
Imprint:
Wiley-Blackwell
Pages:
240 pages
Format:
Paperback
For delivery:
Estimated despatch 14 - 16 May 2024
Thinking Through Cinema: Film as Philosophy

Description

The collection brings together a wide range of contributors, including both philosophers and film scholars. All of them address the question of whether philosophy can take the form of, or be articulated through, film. A new text for the growing field of philosophy of film, engaging with a variety of questions concerning the relationship between film and art, aesthetics and philosophy. Explores a wide variety of forms and periods of film, such as the avant-garde, continental film and popular American cinema, to present diverse answers to this question. Draws on a range of films, from the works of Hitchcock to Mission: Impossible and Being John Malkovich.

Contents

Preface Murray Smith and Thomas E Wartenberg Introduction 1 I The Very Idea of Film as Philosophy Paisley Livingston These on Cinema as Philosophy 11 Thomas E Wartenberg Beyond mere Illustration: How Films Can Be Philosophy 19 Murray Smith Film Art, Argument, and Ambiguity 33 II Popular American Film: Entertainment and Enlightenment Richard Allen Hitchcock and Cavell 43 Lester H Hunt The Paradox of the Unknown Lover: A Reading of Letter from an Unknown Woman 55 Dan Flory Spike Lee and the Sympathetic Racist.' 67 George Wilson Transparency and Twist in Narrative Fiction Film 81 Stephen Mulhall The Impersonation of Personality: Film as Philosophy in Mission: Impossible 97 Daniel Shaw On being Philosophical and Being John Malkovich 111 Christopher Grau eternal Sunshine of the Spotless Mind and the Morality of Memory 119 III: Continental Philosophy, Continental Film Andras Balint Kovacs Sartre, the Philosophy of Nothingness, and the Modern Melodrama 135 Paul C Santilli Cinema and Subjectivity in Krzysztof Kieslowski 147 Katherine Ince Is Sexy Comedy or Tragedy? Directing Desire adn Female Auteurship in the Cinema of Catherine Breillat 157 IV: Films as "THEORY": The Avant -Garde Jinhee Choi Apperception on Display: Structural Films and Philosophy 165 Noel Carroll philosophizing Through the Moving Image: The case of Serene Velocity 173 Trevor Ponech The Substance of Cinema 187 Whitney Davis The World Rewound: Peter Forgacs's Wittgenstein Tractatus 199 Contributors 213 Selected Bibliography 217 Index 221

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